1868-1928 French designer and painter. Son of a Dutch architect and a Belgian mother, he started out as an actor, costumier and then interior decorator in Paris. In 1894 at the Galerie des Artistes Modernes he exhibited watercolours and paintings of a moderate Symbolist style, typically depicting women in a manner reminiscent of Aubrey Beardsley work. Capturing the essence of the feminine spirit became his trademark. With Eugene Gaillard and Edouard Colonna he was selected by Siegfried Bing, founder of the Galeries de l Art Nouveau, to design rooms for his Pavilion Bing at the Exposition Universelle, Paris (1900). De Feure carpets, glassware and furniture designs for the boudoir and toilette were based on the theme of woman, emphasizing delicate lines and elegant sensuality. He later left Bing gallery and, as an independent designer, created vide-poche furniture, which contained hidden marquetry compartments. This furniture suggested notions of secrecy and coquetry, themes that de Feure pursued throughout his career.  Related Paintings of Georges de Feure :. | The Voice of Evil | The Voice of Evil | Swan Lake | The Gate to Dreams ii | Swan Lake (mk19) |
Related Artists:
Jan Spanjaert
Dutch , c. 1590-Before 1664 . Active in Delft and Amsterdam 1632-1665
Augsburger Schule
painted Allegory of Remorselessness in between 1580(1580) and 1600(1600)
FASOLO, Bernardino
Italian painter, Genovese school (b. ca. 1489, Pavia, d. after 1526, Genova)